![]() Had a bit more experiments with Taiga, and unfortunately i'm starting to get a bit dissapointed. If anyone has ideas about the issues I’m experiencing, I’d love to hear your thoughts. That seems like it’s coming together in this thread, so I’ll just copy/paste as we go along. The current plan is that the Tiaga will likely live part time in both my Euro case using CV and also stand-alone on the desk using Midi, so it would be nice to have a “best practices” guide handy. I’m interested to better understand the calibration and tuning suggestions for those of us who will equally co-exist between CV and Midi, as that’s my current plan. I’ll cross my fingers Pittsburgh or a 3rd party knocks something like that out at some point. I’d gladly pay for a white or Silver panel with text that was easier to see. I’m 49 and my vision isn’t what it used to be, so with or without glasses it’s pretty hard for me to read without pretty bright light available and me being close up on the panel. With regards to early comments from others, I’m also struggling with LED brightness and the readability of the small text against the black panel. ![]() Here’s a pic of the initial setup, per the Quick Start Guide: Does anyone have some other ideas on how to move forward? I’ve plugged my Keystep up to my computer and used the Midi Monitor app to double-check Midi channel is set correctly and note on/off info is arriving as expected. No matter what I'm doing, I'm not seeing any response from Tiaga when keys are pushed on the controller. I read through how to change Midi channels on the Tiaga, so I'm sure it's set to Midi channel 1 and I've made sure the Arturia is also set to Midi Channel 1. Tiaga's output is going into my Intellijel Mixup and then out to a little Mackie for monitoring. The setup is Arturia Keystep Midi out->Tiaga Midi In. Despite following the Tiaga "Getting Started" manual, I'm still struggling to get things going, which is likely down to user error somehow. I got my Tiaga yesterday afternoon and had some time to sit down with it last night. Mysterymachinestudio wrote: ↑ Wed 5:52 am Keep levels low! Maintaining headroom in the signal path actually leaves more room for all the good resonances, overtones and nastiness. Mixing in subtle combinations of 1,2 and pre-amp levels will give so many great shades and colors and the Sine of Osc 1 as the anchor, you maintain phase and stability in your bass lines. Starting with channel 3 at 12 o'clock this is the core of your tone. Oscillator 3 is in free mode, unused and available as a modulation source. ![]() Interesting for all finds of shifting textures.ĭynamics out patched to input of pre-amp (this is a parallel overdrive) Oscillator 2 hardwired wave output to channel 2 (also any wave/shape/mod combo you like, this is color, mixed low to taste, tuned to unison of Osc 1) This maintains phase with channel 3 (Osc 1 Sine) Oscillator 1 hardwired wave output to channel 1 (any wave/shape/mod combo you like, this is color, mixed low to taste) Oscillator 1 Sine out to channel 3 on mixer.
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